Quilted Velvet Brass-Leg Tub Chair
Quilted velvet upholstery · brass-trimmed legsTwo chairs that make any corner feel like the best seat in the house.
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Brass is the line that holds a piece together. A drawn strip set into a wood front, a cast leg under a marble top, a thin band around a drawer — it is rarely the whole piece and it is almost always the thing that makes it look made rather than assembled. We cut, cast, plate and finish metal in the same building as the wood and the stone.
207 pieces · Made to order · Free delivery across IndiaWhat it is, what it does well, what it does not, and how to look after it. Written by the people who cut it.
Brass inlay furniture is furniture with lines of solid brass set flush into the wood. We rout a channel, tap the strip in, level it with the surface, and polish it back. Done well you cannot feel the joint with a fingertip. Done badly it lifts within a year.
Every line on our pieces is set by hand, corner by corner. A mitred corner where two lines meet is the hardest part and the first thing to look at if you are judging a piece.
Brushed brass has a fine directional grain and a warm, matt look. Antique brass is darkened in the recesses so the raised parts read brighter — it suits carved and traditional work. Polished brass is a mirror, and it shows everything.
PVD is a hard coating applied in a vacuum chamber. It costs more and it does not tarnish, wear off at the handles or need polishing — worth it on anything that gets touched every day.
Solid brass is heavy, warm to the touch, and it will patinate. Plated steel is lighter, colder, and a magnet will stick to it. Neither is wrong: a slim table leg carrying a stone top is often better in steel and stronger for it.
What matters is that you are told which is which. We put it in the specification, on every piece.
Uncoated brass darkens. Many people want that — a patinated handle after five years looks better than a new one. If you want it bright, a soft cloth and a proper brass polish two or three times a year is enough.
Never use an abrasive pad or a household spray on a lacquered or PVD finish: the coating is what is doing the work, and once it is scratched through the metal under it goes patchy.
Every one shown three ways — the piece alone, everything it is made of, and the same piece in a real room.
Tap any piece to zoom in on the detail, or filter by room to see where it fits.
Barrel, wing and tub chairs to sit beside the sofa, in the fabric you choose.
Two chairs that make any corner feel like the best seat in the house.
Make this mine →Chairs with a golden leaf running down their spine — you will not find these twice.
Make this mine →Wingback chairs that turn a corner into a conversation people remember.
Make this mine →A barrel chair in dusty blush chenille, with one channel-tufted side that makes it work from every angle.
Make this mine →A mustard velvet swivel chair with hidden floral tapestry panels and a bronze drum base.
Make this mine →The curl-up chair that still looks dressed up.
Make this mine →One rich blue chair to wake up a neutral room.
Make this mine →The chair that gives a room its colour.
Make this mine →A wing chair with real personality.
Make this mine →A soft, pretty chair with a firm backbone.
Make this mine →The chair that turns a corner into a conversation.
Make this mine →One chair that quietly owns the corner.
Make this mine →The neutral chair that fits any room you own.
Make this mine →Ikat inside, leather outside, gold on the arms — a chair that reads differently from every angle.
Make this mine →A brass band swept across the back — the chair that looks best from behind.
Make this mine →A rounded pod chair in soft grey chenille, balanced on three cast bronze cones.
Make this mine →Square-tufted cream leather on a polished brass X-frame — an icon shape, built properly.
Make this mine →Long storage for the dining wall — plates in, clutter out of sight.
Black lacquer, a burl top and one drawer carved by hand — storage that behaves like a statement.
Make this mine →Suede laid like brickwork in antique gold — a sideboard you want to touch before you open it.
Make this mine →A gold sideboard cut into deep facets, so the whole front changes as you walk past it.
Make this mine →Doors carved into a bronze leaf braid, under a grid of bevelled mirrors.
Make this mine →Half hand-carved bombé, half stepped metal — one sideboard, two centuries.
Make this mine →Store your best china behind buttery quilted leather and a band of solid brass.
Make this mine →A stone sunburst caught between two panels of ribbed brass.
Make this mine →Storage that stands like sculpture, floor to counter.
Make this mine →Curved ends, fluted doors, a marble top that never repeats.
Make this mine →Storage that looks like jewellery on legs.
Make this mine →Croc-look doors, real marble top, quiet luxury all over.
Make this mine →Deep ebony, thin brass lines, a glowing onyx lid.
Make this mine →Warm wood on top, smart storage below.
Make this mine →A mirrored sideboard with old-world glamour.
Make this mine →Storage that works like art on the wall.
Make this mine →Soft beige lacquer, brass ring pulls and splayed legs — quiet, and quietly expensive.
Make this mine →Six seats or sixteen, in stone or solid wood, made to your room.
An oval top that glows like honey, held up on a column of ribbed brass.
Make this mine →A long stone top balanced on two ribbed columns, ready for a full table of guests.
Make this mine →A table top the color of warm honey and gold.
Make this mine →Look closer — the fluting is carved, not printed.
Make this mine →See the whole room before you choose one piece.
Make this mine →A dining table that makes every meal feel like an occasion.
Make this mine →A dining table that anchors a grand room.
Make this mine →A dining table with the weight of a monument.
Make this mine →A ten-seat cream stone table with charcoal honeycomb chairs — the set that seats the whole family.
Make this mine →Golden onyx and crushed velvet under a crystal chandelier — the dinner-party table.
Make this mine →An oval top on a polished brass drum — no table legs to fight your knees.
Make this mine →Cream stone, brass trim, and two chair colours around one table — a dining room with a plan.
Make this mine →A brass line inlaid into marble, with deep green velvet chairs piped in cream.
Make this mine →Backlit green onyx on a stepped gold base — the table people photograph before they sit down.
Make this mine →Nightstands sized to your bed height, in matching or contrasting finish.
Two soft-close drawers wrapped in high-gloss grey lacquer, banded in gold.
Make this mine →A fluted ivory cabinet door banded in brass, standing on slim tapered legs.
Make this mine →Every facet catches the light, and every drawer opens smooth as silk.
Make this mine →Deep walnut grain, fluted by hand, grounded in brushed brass.
Make this mine →Woven texture on top, brass underneath, a nightstand that feels tailored.
Make this mine →Cool grey drawers, warm leather edges, one bold brass pull.
Make this mine →Open shelves top and bottom, one drawer with a brass clover pull in between.
Make this mine →A two-drawer bedside table finished in a hand-stencilled gold pattern, standing on carved gilt legs.
Make this mine →A bedside table that pairs a dark bronze frame with two deep drawers faced in real white marble.
Make this mine →A round bedside table stacking smoked glass, brass and white marble between two curved walnut posts.
Make this mine →A nightstand that catches the morning light.
Make this mine →A nightstand with a hand-carved face.
Make this mine →Small tables and nesting sets that fill the gaps a big room leaves.
One table, and the room suddenly has a focal point.
Make this mine →A little table with a mirror for a top — watch your favourite objects double.
Make this mine →A pair of glossy black-and-gold tables that nest together.
Make this mine →The slide-over table for your morning coffee.
Make this mine →Small tables that pull real weight in a room.
Make this mine →Side tables lit from within by real stone.
Make this mine →A side table shaped like a spinning top.
Make this mine →Two tables that tuck into one neat cube.
Make this mine →Two upholstered pedestals in gold suede — a side table shaped like a vase.
Make this mine →Amber onyx set into a polished walnut rim, on four turned legs with brass caps.
Make this mine →A hexagon stacked band by band into an hourglass — one table, about forty separate pieces.
Make this mine →Marble, onyx, agate and burl tops, each one hand-picked, sized to your sofa.
Two pebble-shaped marble tops, two heights, one easy set for any corner.
Make this mine →A dark veined marble table nests neatly with a pale onyx one, brass and gunmetal legs standing apart.
Make this mine →A two-tier marble coffee table on brass, framed by a pair of quilted taupe armchairs.
Make this mine →A rust marble and fluted brass nesting duo grounding a room full of soft shearling seating.
Make this mine →A slab of amethyst on glowing crystal drums.
Make this mine →Two tops, one showpiece, endless ways to style it.
Make this mine →A tabletop that works like a piece of Deco art.
Make this mine →Two materials, one striking table.
Make this mine →A centre table with the shine of a jewel box.
Make this mine →Three tables that play together in the middle of the room.
Make this mine →Slim wall pieces that carry the television, the lamp and the hallway keys.
A fluted media console in warm bronze tone, built to carry the television and hold its own against a backlit onyx wall.
Make this mine →A fluted gold console with a zigzag door line you feel before you see.
Make this mine →A slim console that slips into the tightest hallway.
Make this mine →Mirror-bright brass that lifts a whole entryway.
Make this mine →A hallway console with a soft touch.
Make this mine →A sculptural console that works from both sides.
Make this mine →Backlit onyx over croc-embossed drawers — the console that lights a hallway on its own.
Make this mine →A slab of blue stone floating on rings of gold.
Make this mine →A grey marble slab speared by three antique-brass columns — a console built to stop people at the door.
Make this mine →A half-moon console on a single gold arc — croc leather drawers, stone top, no straight lines.
Make this mine →Curved, tufted, channelled or carved — built to your exact length, in your fabric.
The sofa that turns a room from nice to unforgettable.
Make this mine →A sofa carved like an heirloom, upholstered like a modern favourite.
Make this mine →Real amethyst crystal set into the armrests — a sofa that doubles as a jewel.
Make this mine →A sofa curved like a question mark, upholstered in a red you won't find twice.
Make this mine →A curved sofa that follows the room instead of fighting it.
Make this mine →A grand curved sofa with the warmth of soft rose.
Make this mine →A soft champagne sofa with a couture back.
Make this mine →A corduroy sectional long enough for a double-height room, with the chaise on the side you need it.
Make this mine →A navy channel sectional and a two-tier fluted oval table, sized to a long living room wall.
Make this mine →Lit showcases for the pieces you want seen, closed storage for the rest.
Art you can actually store things in.
Make this mine →Handsome storage that finishes an empty wall.
Make this mine →A cabinet that spins in place, no motor required.
Make this mine →Shelves lit and lined for pieces that deserve to be seen, not stored.
Make this mine →A cabinet built like a little piece of architecture.
Make this mine →A full display wall that shows off and stores away.
Make this mine →Brass shelving beside a backlit onyx wall — display and television solved in one elevation.
Make this mine →Chairs built to match the table, in the fabric and finish you pick.
A velvet hug of a chair, standing on a ring of solid brass.
Make this mine →The head-of-table chair, in soft leather and brass-tipped legs.
Make this mine →A tall dining chair with a pleated velvet back, walnut arm caps and brass-tipped legs.
Make this mine →Dining chairs your guests will not want to leave.
Make this mine →A dining chair that feels like the best seat at the table.
Make this mine →Lit dressing tables and stone vanities, built to your height and space.
A stool for the dressing table that looks good even empty.
Make this mine →A chair that turns getting ready into the best part of the morning.
Make this mine →A barrel chair soft enough to sit in for the full skincare routine.
Make this mine →Quilted leather, hand fluting and a marble top on brass hairpins — with its own tufted stool.
Make this mine →A slim tower of white and gold for the softest bathroom.
Make this mine →Long, low seating for the corner you actually relax in.
The lounge you sink into and never quite get up from.
Make this mine →Part bench, part daybed, all comfort.
Make this mine →A round tufted daybed in tan suede — the piece that turns a corner into a lounge.
Make this mine →One rolled end, no arms, brass legs — a chaise that fits where a sofa never will.
Make this mine →Upholstered, carved and panelled beds, made in your size and headboard height.
A curved beige headboard set beneath a hand-woven leather wall panel, styled floor to ceiling.
Make this mine →A headboard tufted in honeycomb velvet, grounded on a gold-trimmed base.
Make this mine →A headboard that runs to the ceiling in a gold frame, with drawer storage right under the mattress.
Make this mine →A low blue platform bed on a lit brass plinth, under a wall of bevelled mirror panels.
Make this mine →Executive and reception desks with cable runs and storage built in.
A desk that sits under a backlit agate wall like a piece of art, not office kit.
Make this mine →A curved director's desk with no sharp corner anywhere — stone on top, brass at the floor.
Make this mine →Quilted leather ends, a mirror-polished burl front and brass rings at the floor.
Make this mine →A curved reception counter and the brass-inlaid marble wall behind it, built as one job.
Make this mine →Bed-end and table-side benches, upholstered to your size.
Channel-tufted velvet on a curved walnut X-frame — the bench that works in any room you own.
Make this mine →Two upholstered seats split by a walnut panel — a bench that doubles as a drop-zone.
Make this mine →Deep channel tufting in cream suede on a polished brass plinth, with a cast medallion at the end.
Make this mine →Floor-to-ceiling wardrobes planned around your clothes and your wall.
A wardrobe wall that runs floor to ceiling and still looks this quiet.
Make this mine →Floor-to-ceiling wardrobes that never waste an inch.
Make this mine →Olive green with hand-woven cane panels and a scalloped brass edge — a wardrobe that breathes.
Make this mine →Deep drawers on a soft close, finished to match the bed.
A mirrored chest that quietly doubles the light.
Make this mine →A chest of drawers that behaves like a jewel.
Make this mine →A curved four-drawer chest in champagne lacquer, with a hand-carved medallion running down the middle.
Make this mine →Carved temples in marble and wood, sized for the wall or the room.
A temple at home, carved to be worthy of it.
Make this mine →A full-wall mandir in silver and gold, made to be prayed before for generations.
Make this mine →A carved dome, jaali panels and a marble platform — a mandir built the way temples are.
Make this mine →Closed shoe storage for the entrance, counted to your pairs.
A cabinet that hides every shoe and still looks like the best piece in the hall.
Make this mine →A low shoe cabinet with two white marble doors set in a dark bronze frame.
Make this mine →Ebony with brass lines inlaid down every door — a shoe cabinet nobody guesses is one.
Make this mine →Two capsule mirrors on a gold rail — full-length dressing without a single wardrobe door lost.
Make this mine →A narrow bronze-framed mirror mounted flush, with a linen cube stool that hides underneath.
Make this mine →A wide gold frame, fluted by hand along its whole length, on a dark plinth.
Make this mine →One-off pieces from this room, each still made to your size and finish.
A bar counter built to catch the last light of the day, stone-topped and stool-ready.
Make this mine →A working kitchen dressed like a living room.
Make this mine →A meeting table built to close deals on.
Make this mine →A solid teak main door, carved panel by panel — the first thing anyone touches in your home.
Make this mine →Floor and wall mirrors in carved, fluted and stone frames.
Three mirrors that work as one wall feature.
Make this mine →Mirror framed in mirror — three tall panels in bronze-tinted glass.
Make this mine →A brass circle on a braided rope — the simplest mirror we make, and the one that sells fastest.
Make this mine →A round mirror with gold poured across it in branching lines — art that happens to reflect.
Make this mine →Teak and brass jhulas for the living room, balcony or veranda.
A teak jhula on cast brass chains, cushioned in mustard honeycomb velvet.
Make this mine →Hand-woven cane, blush suede and brass straps — shown the way we see it, on the workshop floor.
Make this mine →A bolster-back swing on brass chains, hung from a hidden steel rail — no beam needed.
Make this mine →Soft extra seating that doubles as a footrest.
A carved pooja stool with a quilted gold seat — low enough to sit and pray on properly.
Make this mine →Statement lighting, hung as the one piece a room is planned around.
A multi-tier crystal chandelier that cascades in beaded glass from a hand-carved ceiling medallion.
Make this mine →Full rooms styled to work together — every piece made to order.
Navy velvet, grey chairs and a gold-banded marble table — a whole living room in one order.
Make this mine →A green curved sofa, two tub chairs and a chevron bench — colour handled by someone who does it daily.
Make this mine →A champagne chesterfield with a cluster of round tables that split apart when guests arrive.
Make this mine →The pieces we show when someone asks what we can do with it.

The chair that quietly runs the room. Deep-buttoned full-grain leather, gold nailheads put in one by one by hand, and warm gold legs that hold it all. Sit in it once and you will understand why this is the seat everyone reaches for — in your study, your library, or beside the fire.
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For the corner that needs a little romance. Soft rose velvet wraps the back and arms, a deep burgundy floral covers the seat, and the whole chair turns on a brushed-brass ring. Pick your own fabric and colours — this one is just where we began. Yours can be anything you dream.
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Soft, round, and easy to love. A curved velvet tub in warm cream, with quilted sides and thin gold lines that catch the light as you pass. It sits happily next to almost anything you already own — the safe, beautiful choice that never looks plain.
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Soft, round and quietly pretty. A seamless velvet barrel wraps around you in a warm blush pink, with fine channel lines down the back and a slim brushed-gold base to lift it. Drop it in a bedroom corner or beside the sofa — and yes, it can be made in your colour instead.
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Old-world grandeur, made for today. A deep, generous seat in shimmering crushed velvet, framed by arms that are carved by hand and touched with gold. It is the chair that makes a room feel like a palace — and it is built in your fabric, to your size.
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The piece that finishes a room. A soft taupe seat runs the length of the bench, split by a band of high-gloss ebony veneer with a grain like dark water. Brushed-brass caps hold the corners, and slim gold legs lift it off the floor. Put it at the foot of your bed or down the hallway — and we build yours in your fabric and your wood.
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Made for the most special corner of your home. Every leaf and flower on the tall back is carved by hand in solid wood, then finished in a soft gold-beige that glows in lamplight. The seat is deep-tufted and edged with fine bead trim, resting on carved legs. A seat worthy of prayer and the family that gathers around it — built to be passed down.
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Rooted in tradition, refined for a lifetime. The back is carved right through into sacred lotus and vine, every curve shaped by hand and finished in warm gold. A soft grey floral cushion sits on top, and the chair stands on carved ball-and-claw feet. It brings grace and devotion to your pooja room — a piece made to hold both prayer and pride.
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Rich, warm and grown-up. Deep dark wood with hand-cut vertical fluting runs across two drawers, capped by a polished stone top and lifted on a brushed-brass base. It gives your bedside real weight — the kind of piece that makes the whole bed look more expensive. Made in your wood and stone.
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The centrepiece your whole living room will orbit. Real stone in black, smoky charcoal and gold is hand-laid piece by piece into a sunburst that seems to glow from inside, framed in brushed brass on a glossy black base. It comes as a pair — a big table and a little one that tucks under. No two tops are ever the same.
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This one stops the conversation. The pale ivory top is hand-inlaid, piece by piece, with real mother-of-pearl and shell that shimmers as you move around it — a flowing pattern no machine can copy. It sits on a faceted pedestal and a sunburst base. Put it in the middle of your seating and let people lean in.
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Old-world grandeur you can gather around. The top is laid by hand with real mother-of-pearl, shell set piece by piece into a soft ivory field so it catches the light as you walk around it — framed by a beaded gold edge. Under it, curved supports are carved by hand into flowing leaves and finished in antique gold. It is the table that makes a whole room feel like a palace, built to your size.
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Modern, warm and quietly grand. A polished brown agate top glows with gold and amber flecks — real stone, so yours is one of a kind — framed by a thin brushed-brass edge. The sides are hand-fluted wood with a soft ribbed rhythm, lifted on slim brass legs. It sits at the middle of your seating and holds the whole room together.
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A statement of calm, dark luxury. The body is wrapped in rich high-gloss veneer with a grain that moves like smoke, cut through by an inset panel of pale petrified stone laid by hand, piece by piece. A slim gold base tucks underneath so it seems to float. Big, low and bold — built to be the piece people ask about.
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Dark, glossy and a little dramatic. A black precious-stone top with natural white veining rests on a curved gold pedestal that flows like an hourglass. Every top is one of a kind, because the stone decides the pattern — not us. That is what makes it truly yours.
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Real selenite, set piece by piece into a sunburst you cannot take your eyes off. The soft cream fluted base and bronze rings keep it grounded and calm. It glows quietly in daylight — a small work of art parked right beside your favourite seat.
Make it mine →Plain answers, from the workshop floor.
Both, depending on the job, and the specification always says which. Solid brass for inlay lines, cast legs and anything with weight in the hand. Plated steel where a slim section has to carry a heavy stone top and solid brass would flex. A magnet tells them apart in a second.
Uncoated brass darkens over time, and many people prefer it that way. If you want it to stay bright, ask for a lacquered or PVD finish — PVD is a hard vacuum coating that does not tarnish, wear at the handles or need polishing.
A channel routed into wood or stone with a strip of brass tapped into it, finished flush with the surface. It is set by hand, one length at a time, and the mitred corners where two lines meet are the test of whether it was done well.
Send a photograph in daylight, or post us a spare handle if you have one. We match tone and finish — brushed, antique or polished — so new furniture sits with the ironmongery already in the room.
Yes, and it stays free — no end date, no minimum. We deliver your piece to your door anywhere in mainland India, crate, freight, transit cover, e-way bill and GST included. Andaman & Nicobar and Lakshadweep go by sea at actual cost; outside India is quoted per port.
No. There is no minimum, no remote-area fee and no fuel surcharge. One bedside table travels on the same free terms as a twelve-piece bedroom, to Mumbai or to Leh, and the crate is built around your finished piece.
Onyx & Semi-Precious Stone, Marble, Wood, Walnut & Burl, Velvet & Bouclé, Leather and Lacquer & High Gloss.