Tufted Skirted Sofa
Solid hardwood frame, hand-tufted velvet upholstery, pleated skirtA long tufted sofa in deep red, skirted to the floor, built to anchor a grand room.
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Wood is the frame under almost everything we make. What decides whether a piece lasts thirty years or three is not the species on the label — it is whether the timber was seasoned properly, whether the joints are cut or stapled, and whether the grain was chosen before it was cut. All three happen in our own factory.
215 pieces · Made to order · Free delivery across IndiaWhat it is, what it does well, what it does not, and how to look after it. Written by the people who cut it.
Fresh timber is full of water. As it dries it shrinks — unevenly — and a piece built from it opens at the joints, cups across a table top and cracks along a panel. India makes this worse, not better: a monsoon and a dry summer in the same year move wood a long way.
Seasoned timber has already done its moving. We buy it seasoned, store it in the factory long enough to settle to the same moisture the room will have, and only then cut it.
Walnut is dark, fine-grained and the most furniture-like of the woods. It takes a hand-rubbed finish beautifully and it is what most people mean when they picture a good dining table.
Teak is oily, stable and the toughest of the three — the reason it is used for swings, for anything near a window and for pieces that see damp air. Oak is pale, open-grained and takes a bleached or limed finish that lightens a room.
Burl wood furniture is furniture faced with burl, a growth on the side of a tree where the grain has swirled instead of running straight. Burl is rare, it comes in small pieces, and it is far too unstable to build a frame from, so it is always a veneer.
A veneer is a thin leaf of that pattern laid over a stable core, and anyone telling you a burl panel is solid is selling you something else. That is not a compromise: a burl-veneered panel over a proper core is more stable than solid timber. We use solid wood for frames and legs, veneer for the faces, and we tell you which is which on every piece.
Open a drawer and look at the corner. A dovetail or a proper mortise joint interlocks; it holds because of its shape. Staples and glue hold because of the glue, and glue lets go.
Every drawer we make is jointed. It is slower and it is invisible from the outside, which is exactly why it is the first thing a factory cuts when it is competing on price.
Every one shown three ways — the piece alone, everything it is made of, and the same piece in a real room.
Tap any piece to zoom in on the detail, or filter by room to see where it fits.
Curved, tufted, channelled or carved — built to your exact length, in your fabric.
A long tufted sofa in deep red, skirted to the floor, built to anchor a grand room.
Make this mine →The sofa built to be the centrepiece of the grandest room in the house.
Make this mine →A sofa carved like an heirloom, upholstered like a modern favourite.
Make this mine →The low, wide sofa that makes a whole corner feel like a place to disappear into.
Make this mine →A block-arm sofa in buttery taupe leather, built low and wide for easy lounging.
Make this mine →Real amethyst crystal set into the armrests — a sofa that doubles as a jewel.
Make this mine →A curved sofa that pairs quilted mauve velvet with a full floral story below.
Make this mine →One long bolster in lattice-quilted fabric turns a plain cream sofa into the room's centrepiece.
Make this mine →A throne of a sofa for the room everyone remembers.
Make this mine →Soft blush, sharp shine, built to sit for a lifetime.
Make this mine →The long, low sofa that lets the whole family spread out.
Make this mine →A curved sofa that follows the room instead of fighting it.
Make this mine →Old-world French shape, made new in soft silver.
Make this mine →A grand curved sofa with the warmth of soft rose.
Make this mine →A small sofa with a big, hand-carved heart.
Make this mine →Classic lines, a rose-carved crest, calm silver tones.
Make this mine →Honest teak and deep cushions for everyday sitting.
Make this mine →The Chesterfield, softened in blue velvet.
Make this mine →A soft champagne sofa with a couture back.
Make this mine →Old-world comfort in a colour that suits any room.
Make this mine →Deep green velvet that makes a room feel grown-up.
Make this mine →A corduroy sectional long enough for a double-height room, with the chaise on the side you need it.
Make this mine →A navy channel sectional and a two-tier fluted oval table, sized to a long living room wall.
Make this mine →A curved sofa with the frame carved and silvered by hand, and a damask seat under channel-tufted velvet.
Make this mine →Six seats or sixteen, in stone or solid wood, made to your room.
Dinner with a bar just steps away and a table grain warm enough to eat off.
Make this mine →Eight chairs, eight stories, one long table.
Make this mine →A table top the color of warm honey and gold.
Make this mine →A sunburst of stone, cut piece by piece by hand.
Make this mine →Look closer — the fluting is carved, not printed.
Make this mine →See the whole room before you choose one piece.
Make this mine →Marble veined like clouds, set for two.
Make this mine →Cool marble on warm wood, set for real dinners.
Make this mine →A dining table with a slab of glowing stone at its heart.
Make this mine →A dining table that makes every meal feel like an occasion.
Make this mine →Clean lines, warm stone, quiet luxury.
Make this mine →A dining table that anchors a grand room.
Make this mine →A dining set with the confidence to use real colour.
Make this mine →A dining table with the weight of a monument.
Make this mine →An oval top on a polished brass drum — no table legs to fight your knees.
Make this mine →A brass line inlaid into marble, with deep green velvet chairs piped in cream.
Make this mine →Barrel, wing and tub chairs to sit beside the sofa, in the fabric you choose.
A barrel chair in dusty blush chenille, with one channel-tufted side that makes it work from every angle.
Make this mine →The curl-up chair that still looks dressed up.
Make this mine →One rich blue chair to wake up a neutral room.
Make this mine →A wing chair with real personality.
Make this mine →A soft, pretty chair with a firm backbone.
Make this mine →The chair that turns a corner into a conversation.
Make this mine →One chair that quietly owns the corner.
Make this mine →A chair sculpted like a folded leaf.
Make this mine →The neutral chair that fits any room you own.
Make this mine →A brass band swept across the back — the chair that looks best from behind.
Make this mine →A low barrel chair in diamond jacquard — pattern that reads as texture, not noise.
Make this mine →The first seat your guests reach, and the one they remember.
Make this mine →One red wingback against a dark wall — the chair a whole entrance is built around.
Make this mine →Open scrollwork carved right through the back, finished in silver leaf.
Make this mine →Small tables and nesting sets that fill the gaps a big room leaves.
A little table with a mirror for a top — watch your favourite objects double.
Make this mine →A honey onyx disc floating in a glossy cream bowl — sculpture first, table second.
Make this mine →A soft sage tray table with a heart cut into its handle, small enough for any corner.
Make this mine →A pair of glossy black-and-gold tables that nest together.
Make this mine →Two tables that tuck away when you need the floor.
Make this mine →Warm walnut with legs that lean like a sculpture.
Make this mine →A little table with a lot of texture.
Make this mine →The slide-over table for your morning coffee.
Make this mine →Small tables that pull real weight in a room.
Make this mine →Side tables lit from within by real stone.
Make this mine →Two tables that tuck into one neat cube.
Make this mine →Two upholstered pedestals in gold suede — a side table shaped like a vase.
Make this mine →Amber onyx set into a polished walnut rim, on four turned legs with brass caps.
Make this mine →An oak cube dropped into folded black steel — a tall pedestal for the one object worth showing.
Make this mine →Nightstands sized to your bed height, in matching or contrasting finish.
A drum-shaped nightstand in deep burl wood, three drawers deep.
Make this mine →A fluted ivory cabinet door banded in brass, standing on slim tapered legs.
Make this mine →Every facet catches the light, and every drawer opens smooth as silk.
Make this mine →Deep walnut grain, fluted by hand, grounded in brushed brass.
Make this mine →Woven texture on top, brass underneath, a nightstand that feels tailored.
Make this mine →Curved legs, a floral knob, a lower shelf for everything else.
Make this mine →Cool grey drawers, warm leather edges, one bold brass pull.
Make this mine →Open shelves top and bottom, one drawer with a brass clover pull in between.
Make this mine →Two fluted pedestals, two dark stone tops, styled as a pair.
Make this mine →A two-drawer bedside table finished in a hand-stencilled gold pattern, standing on carved gilt legs.
Make this mine →A round bedside table stacking smoked glass, brass and white marble between two curved walnut posts.
Make this mine →A nightstand that catches the morning light.
Make this mine →A nightstand with a hand-carved face.
Make this mine →Marble, onyx, agate and burl tops, each one hand-picked, sized to your sofa.
A coffee table with a secret in the middle — a warm wood tray waiting for your favourite things.
Make this mine →Two pebble-shaped marble tops, two heights, one easy set for any corner.
Make this mine →Tables that shimmer like the inside of a shell.
Make this mine →Warm teak and woven cane, built to last for years.
Make this mine →A big square table with a quiet, tailored centre.
Make this mine →Two tops, one showpiece, endless ways to style it.
Make this mine →One sweeping oval that anchors the whole sofa.
Make this mine →A coffee table carved like a jewel box.
Make this mine →A centre table people reach out to touch.
Make this mine →A centre table with the shine of a jewel box.
Make this mine →Three tables that play together in the middle of the room.
Make this mine →Long storage for the dining wall — plates in, clutter out of sight.
Black lacquer, a burl top and one drawer carved by hand — storage that behaves like a statement.
Make this mine →Store your best china behind buttery quilted leather and a band of solid brass.
Make this mine →Storage that stands like sculpture, floor to counter.
Make this mine →Curved ends, fluted doors, a marble top that never repeats.
Make this mine →Burl wood in the middle, fluted panels on the sides, pure balance.
Make this mine →Deep ebony, thin brass lines, a glowing onyx lid.
Make this mine →Storage that shines like jewellery.
Make this mine →Warm wood on top, smart storage below.
Make this mine →A mirrored sideboard with old-world glamour.
Make this mine →Fluted champagne ends, a burl centre and a marble top — the sideboard a dining room is planned around.
Make this mine →Upholstered, carved and panelled beds, made in your size and headboard height.
A long, channel-tufted headboard framed in warm wood, floating nightstands either side.
Make this mine →The same woven-leather bed wall, pulled back to show the whole room it anchors.
Make this mine →A sofa by day, a full bed by night, dressed in soft channel-tufted velvet.
Make this mine →Wings that wrap you in, and a drawer underneath that wraps up the clutter.
Make this mine →A soft, tall headboard crowned in carved silver.
Make this mine →The bed your little one will never want to leave.
Make this mine →The bed that makes the whole room bow to it.
Make this mine →A deep burgundy tufted headboard on a walnut storage base — warmth and hidden space in one bed.
Make this mine →A royal blue wingback headboard, tufted deep and wide enough to lean a whole evening against.
Make this mine →Slim wall pieces that carry the television, the lamp and the hallway keys.
A fluted media console in warm bronze tone, built to carry the television and hold its own against a backlit onyx wall.
Make this mine →A fluted gold console with a zigzag door line you feel before you see.
Make this mine →A slim console that slips into the tightest hallway.
Make this mine →A hallway console with a soft touch.
Make this mine →A sculptural console that works from both sides.
Make this mine →A long, low TV unit — dark burl on top, ivory drawers below, metal wrapped around both ends.
Make this mine →A pale oak console with a black marble inset top and a base carved into soft organ-pipe slots.
Make this mine →A tiger's eye top on tall black legs — the slimmest console that still stops people at the door.
Make this mine →Lit showcases for the pieces you want seen, closed storage for the rest.
Handsome storage that finishes an empty wall.
Make this mine →Shelves lit and lined for pieces that deserve to be seen, not stored.
Make this mine →A whole cabinet carved into a tiny sculpted city.
Make this mine →A cabinet built like a little piece of architecture.
Make this mine →A full display wall that shows off and stores away.
Make this mine →A classical display bookcase, lit shelf by shelf, with closed storage kept at the bottom.
Make this mine →Lit dressing tables and stone vanities, built to your height and space.
A stool for the dressing table that looks good even empty.
Make this mine →A stool stacked ring on ring, so it looks sculpted, not stuffed.
Make this mine →A vanity carved deep enough to feel like furniture, not fittings.
Make this mine →A washstand that looks more like a fine chest.
Make this mine →A slim tower of white and gold for the softest bathroom.
Make this mine →A vanity that is really a carved work of art.
Make this mine →Carved temples in marble and wood, sized for the wall or the room.
A pooja room made for the whole family to stand in, not squeeze into.
Make this mine →A temple at home, carved to be worthy of it.
Make this mine →A South-Indian temple, brought home in solid teak.
Make this mine →A full-wall mandir in silver and gold, made to be prayed before for generations.
Make this mine →One mandala carved into a single back panel — an ivory mandir with nothing else competing.
Make this mine →A carved dome, jaali panels and a marble platform — a mandir built the way temples are.
Make this mine →Floor-to-ceiling wardrobes planned around your clothes and your wall.
A wardrobe wall that runs floor to ceiling and still looks this quiet.
Make this mine →A wardrobe with curtains built into the doors, so nothing behind them ever looks cluttered.
Make this mine →A dressing room that treats your clothes like jewellery.
Make this mine →Floor-to-ceiling wardrobes that never waste an inch.
Make this mine →A wardrobe that reads like a piece of art.
Make this mine →Executive and reception desks with cable runs and storage built in.
A cabin desk built to close deals, not just hold papers.
Make this mine →A desk that sits under a backlit agate wall like a piece of art, not office kit.
Make this mine →A desk that says who runs the room.
Make this mine →A curved director's desk with no sharp corner anywhere — stone on top, brass at the floor.
Make this mine →Quilted leather ends, a mirror-polished burl front and brass rings at the floor.
Make this mine →Long, low seating for the corner you actually relax in.
A sculpted settee that turns an entryway into a moment.
Make this mine →The one seat that is only about resting well.
Make this mine →Part bench, part daybed, all comfort.
Make this mine →The lounge seat you sink into and forget the time.
Make this mine →Chairs built to match the table, in the fabric and finish you pick.
The head-of-table chair, in soft leather and brass-tipped legs.
Make this mine →A tall dining chair with a pleated velvet back, walnut arm caps and brass-tipped legs.
Make this mine →Dining chairs your guests will not want to leave.
Make this mine →A dining chair that feels like the best seat at the table.
Make this mine →Bed-end and table-side benches, upholstered to your size.
Channel-tufted velvet on a curved walnut X-frame — the bench that works in any room you own.
Make this mine →Two upholstered seats split by a walnut panel — a bench that doubles as a drop-zone.
Make this mine →A channel-tufted bench in deep purple velvet, sized to sit at the foot of the bed.
Make this mine →The bench that makes the foot of the bed feel finished.
Make this mine →Deep drawers on a soft close, finished to match the bed.
Drawers that throw light like cut stone.
Make this mine →A mirrored chest that quietly doubles the light.
Make this mine →A curved four-drawer chest in champagne lacquer, with a hand-carved medallion running down the middle.
Make this mine →Home bars with lit shelves, glass storage and seating to match.
A bar counter built to catch the last light of the day, stone-topped and stool-ready.
Make this mine →A tall stool that is easy on the eyes and the back.
Make this mine →Closed shoe storage for the entrance, counted to your pairs.
A cabinet that hides every shoe and still looks like the best piece in the hall.
Make this mine →Ebony with brass lines inlaid down every door — a shoe cabinet nobody guesses is one.
Make this mine →A deep stepped rosewood frame on a moulded plinth — the floor mirror that stands on its own.
Make this mine →A plain champagne oval on a round pedestal foot — a cheval mirror with nothing to date it.
Make this mine →A wide gold frame, fluted by hand along its whole length, on a dark plinth.
Make this mine →A champagne floor mirror with a fluted storage box that doubles as the seat.
Make this mine →One-off pieces from this room, each still made to your size and finish.
The table where the big decisions get made.
Make this mine →A solid teak main door, carved panel by panel — the first thing anyone touches in your home.
Make this mine →Mirrors, lighting, ottomans and swings — the last layer of a finished room.
A grown-up jhula that hangs light in the air.
Make this mine →The swing that turns any corner into your favourite seat.
Make this mine →A teak jhula on cast brass chains, cushioned in mustard honeycomb velvet.
Make this mine →A sculpted white lacquer stool and a soft cognac leather pouf, made to sit together or wander the room.
Make this mine →A carved pooja stool with a quilted gold seat — low enough to sit and pray on properly.
Make this mine →Full rooms styled to work together — every piece made to order.
A whole lounge, built for the nights you actually remember.
Make this mine →Floor-to-ceiling views, and a sofa long enough to fit everyone who wants to see them.
Make this mine →A green curved sofa, two tub chairs and a chevron bench — colour handled by someone who does it daily.
Make this mine →A champagne chesterfield with a cluster of round tables that split apart when guests arrive.
Make this mine →The pieces we show when someone asks what we can do with it.

The piece that finishes a room. A soft taupe seat runs the length of the bench, split by a band of high-gloss ebony veneer with a grain like dark water. Brushed-brass caps hold the corners, and slim gold legs lift it off the floor. Put it at the foot of your bed or down the hallway — and we build yours in your fabric and your wood.
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Made for the most special corner of your home. Every leaf and flower on the tall back is carved by hand in solid wood, then finished in a soft gold-beige that glows in lamplight. The seat is deep-tufted and edged with fine bead trim, resting on carved legs. A seat worthy of prayer and the family that gathers around it — built to be passed down.
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A bedside table you will notice every single morning. The wood grain moves like water, and no two are ever the same — this one is nature's own artwork. Three soft-close drawers, rounded edges, and a silky hand-rubbed finish. Small in size, full of quiet richness.
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Rich, warm and grown-up. Deep dark wood with hand-cut vertical fluting runs across two drawers, capped by a polished stone top and lifted on a brushed-brass base. It gives your bedside real weight — the kind of piece that makes the whole bed look more expensive. Made in your wood and stone.
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One look and your eye goes straight to the circles. A calm ivory frame holds warm wood drawers cut with a hand-inlaid ring pattern — clean, modern, and quietly grand. Put it in the hallway or behind the sofa, and it earns its wall the day it arrives.
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Modern, warm and quietly grand. A polished brown agate top glows with gold and amber flecks — real stone, so yours is one of a kind — framed by a thin brushed-brass edge. The sides are hand-fluted wood with a soft ribbed rhythm, lifted on slim brass legs. It sits at the middle of your seating and holds the whole room together.
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A statement of calm, dark luxury. The body is wrapped in rich high-gloss veneer with a grain that moves like smoke, cut through by an inset panel of pale petrified stone laid by hand, piece by piece. A slim gold base tucks underneath so it seems to float. Big, low and bold — built to be the piece people ask about.
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Small, sculptural and made to be touched. Two cones meet at the waist in a soft hourglass, cinched by a ring of polished metal that catches every light in the room. Have it wrapped in soft matte taupe leather, or in warm solid-wood veneer with a grain that runs all the way around — your choice, either way finished by hand. Slide it beside a sofa or bed and it holds your book, your cup, your lamp with quiet style.
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Warm, rich and full of rhythm. A deep polished top catches the light, and the fluted column underneath adds lines you will want to run your hand along. It is made fully by hand — so the small differences are not flaws, they are the proof that it is real.
Make it mine →Plain answers, from the workshop floor.
Always veneer, on any maker's furniture. Burl is a swirled growth on the side of a tree — it comes in small pieces and moves too much to build a frame from. A burl face is a thin leaf of that pattern laid over a stable core, which is both the only way it can exist on a cabinet front and more stable than solid timber would be.
Teak, if the piece will see damp or changing air — it is oily and stays put. Walnut for dining tables and anything that wants a fine, dark, hand-rubbed finish. Oak where the room needs lightening. What matters more than the species is that the timber was properly seasoned before it was cut.
Open a drawer and look at the corner. Interlocking joints — dovetails, mortise and tenon — hold because of their shape. Staples hold because of glue, and glue lets go. The joint is invisible from the outside, which is exactly why it is the first thing cut when a factory competes on price.
Not if the timber was seasoned before it was cut and the top was built to move. Wood expands and contracts between the monsoon and the dry season; a well-made top is fixed in a way that allows it. Keep it out of direct sun and away from an air-conditioner blowing straight onto it, and it will be fine.
Yes, and it stays free — no end date, no minimum. We deliver your piece to your door anywhere in mainland India, crate, freight, transit cover, e-way bill and GST included. Andaman & Nicobar and Lakshadweep go by sea at actual cost; outside India is quoted per port.
No. There is no minimum, no remote-area fee and no fuel surcharge. One bedside table travels on the same free terms as a twelve-piece bedroom, to Mumbai or to Leh, and the crate is built around your finished piece.
Onyx & Semi-Precious Stone, Marble, Brass & Metal, Velvet & Bouclé, Leather and Lacquer & High Gloss.