Tufted Skirted Sofa
Solid hardwood frame, hand-tufted velvet upholstery, pleated skirtA long tufted sofa in deep red, skirted to the floor, built to anchor a grand room.
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Velvet is the fabric that makes a room look expensive from the doorway. It has a pile — short fibres standing up off the weave — which is why it catches the light differently as you walk past it, and why a velvet sofa reads as one deep colour rather than a flat one. We upholster in your fabric or ours, in any colour, to your measurements.
87 pieces · Made to order · Free delivery across IndiaWhat it is, what it does well, what it does not, and how to look after it. Written by the people who cut it.
The pile lies in a direction. Brush it one way and it looks lighter, the other way and it looks darker — the same fabric, the same colour. That is not a fault; it is the whole effect, and it is why a velvet sofa has depth that a flat weave never gets.
It also means the fabric has to be cut with the pile running the same way on every panel, or a sofa comes out looking like two shades. That is a workshop discipline, not a fabric property.
Cotton velvet is the softest and the most matt. Silk velvet has the deepest sheen and the highest price, and it marks if you look at it. Performance velvet — polyester or a blend — is engineered to resist stains and rubbing, and it now looks close enough to the natural fabrics that most families should just use it.
If the sofa is in a room with children, dogs or daily use, take the performance fabric. Save the silk for a chair in a bedroom.
Bouclé is a looped yarn, so the surface is nubbly rather than smooth. It hides marks far better than velvet, it does not show a pile direction, and it reads modern where velvet reads classical.
On a big curved sofa or a lounge chair it is often the calmer choice — the shape does the talking and the fabric stays quiet.
A tufted back is pulled down at each button by hand, one at a time, so the fabric folds into a diamond. It is slow work and it is why a deep-buttoned chesterfield costs what it does.
It is also firmer to lean on than a plain back. If you want the look and the softness, we can tuft the back and leave the seat plain — most people who ask for it end up choosing that.
Every one shown three ways — the piece alone, everything it is made of, and the same piece in a real room.
Tap any piece to zoom in on the detail, or filter by room to see where it fits.
Curved, tufted, channelled or carved — built to your exact length, in your fabric.
A long tufted sofa in deep red, skirted to the floor, built to anchor a grand room.
Make this mine →The sofa built to be the centrepiece of the grandest room in the house.
Make this mine →The low, wide sofa that makes a whole corner feel like a place to disappear into.
Make this mine →Real amethyst crystal set into the armrests — a sofa that doubles as a jewel.
Make this mine →A curved sofa that pairs quilted mauve velvet with a full floral story below.
Make this mine →One long bolster in lattice-quilted fabric turns a plain cream sofa into the room's centrepiece.
Make this mine →A sofa curved like a question mark, upholstered in a red you won't find twice.
Make this mine →The long, low sofa that lets the whole family spread out.
Make this mine →Old-world French shape, made new in soft silver.
Make this mine →A grand curved sofa with the warmth of soft rose.
Make this mine →A small sofa with a big, hand-carved heart.
Make this mine →Classic lines, a rose-carved crest, calm silver tones.
Make this mine →The Chesterfield, softened in blue velvet.
Make this mine →A soft champagne sofa with a couture back.
Make this mine →Old-world comfort in a colour that suits any room.
Make this mine →Deep green velvet that makes a room feel grown-up.
Make this mine →A navy channel sectional and a two-tier fluted oval table, sized to a long living room wall.
Make this mine →A curved sofa with the frame carved and silvered by hand, and a damask seat under channel-tufted velvet.
Make this mine →Barrel, wing and tub chairs to sit beside the sofa, in the fabric you choose.
Two chairs that make any corner feel like the best seat in the house.
Make this mine →Chairs with a golden leaf running down their spine — you will not find these twice.
Make this mine →A barrel chair in dusty blush chenille, with one channel-tufted side that makes it work from every angle.
Make this mine →A mustard velvet swivel chair with hidden floral tapestry panels and a bronze drum base.
Make this mine →A soft, chunky chair with a glint of chrome.
Make this mine →The curl-up chair that still looks dressed up.
Make this mine →One rich blue chair to wake up a neutral room.
Make this mine →The chair that gives a room its colour.
Make this mine →A wing chair with real personality.
Make this mine →A soft, pretty chair with a firm backbone.
Make this mine →The chair that turns a corner into a conversation.
Make this mine →One chair that quietly owns the corner.
Make this mine →A chair sculpted like a folded leaf.
Make this mine →A wingback and its own ottoman in blue-grey chenille — the reading chair, finished properly.
Make this mine →Two burgundy chesterfield wings, nailhead by nailhead — the pair a room gets planned around.
Make this mine →The first seat your guests reach, and the one they remember.
Make this mine →A rounded pod chair in soft grey chenille, balanced on three cast bronze cones.
Make this mine →One red wingback against a dark wall — the chair a whole entrance is built around.
Make this mine →Six seats or sixteen, in stone or solid wood, made to your room.
Eight chairs, eight stories, one long table.
Make this mine →A dining set with the confidence to use real colour.
Make this mine →A ten-seat cream stone table with charcoal honeycomb chairs — the set that seats the whole family.
Make this mine →Blush velvet wingback chairs around a pale marble table — soft colour that still reads grown-up.
Make this mine →Golden onyx and crushed velvet under a crystal chandelier — the dinner-party table.
Make this mine →Cream stone, brass trim, and two chair colours around one table — a dining room with a plan.
Make this mine →A brass line inlaid into marble, with deep green velvet chairs piped in cream.
Make this mine →Upholstered, carved and panelled beds, made in your size and headboard height.
A sofa by day, a full bed by night, dressed in soft channel-tufted velvet.
Make this mine →A headboard tufted in honeycomb velvet, grounded on a gold-trimmed base.
Make this mine →Wings that wrap you in, and a drawer underneath that wraps up the clutter.
Make this mine →The bed your little one will never want to leave.
Make this mine →A deep burgundy tufted headboard on a walnut storage base — warmth and hidden space in one bed.
Make this mine →A royal blue wingback headboard, tufted deep and wide enough to lean a whole evening against.
Make this mine →A low blue platform bed on a lit brass plinth, under a wall of bevelled mirror panels.
Make this mine →Long, low seating for the corner you actually relax in.
A sculpted settee that turns an entryway into a moment.
Make this mine →The one seat that is only about resting well.
Make this mine →The lounge you sink into and never quite get up from.
Make this mine →Part bench, part daybed, all comfort.
Make this mine →Bed-end and table-side benches, upholstered to your size.
Channel-tufted velvet on a curved walnut X-frame — the bench that works in any room you own.
Make this mine →Teal velvet with a bolster at each end — the bench that turns a corridor into a room.
Make this mine →A channel-tufted bench in deep purple velvet, sized to sit at the foot of the bed.
Make this mine →The bench that makes the foot of the bed feel finished.
Make this mine →Chairs built to match the table, in the fabric and finish you pick.
A velvet hug of a chair, standing on a ring of solid brass.
Make this mine →A tall dining chair with a pleated velvet back, walnut arm caps and brass-tipped legs.
Make this mine →Dining chairs your guests will not want to leave.
Make this mine →Marble, onyx, agate and burl tops, each one hand-picked, sized to your sofa.
A two-tier marble coffee table on brass, framed by a pair of quilted taupe armchairs.
Make this mine →A rust marble and fluted brass nesting duo grounding a room full of soft shearling seating.
Make this mine →Lit dressing tables and stone vanities, built to your height and space.
A stool for the dressing table that looks good even empty.
Make this mine →A chair that turns getting ready into the best part of the morning.
Make this mine →Slim wall pieces that carry the television, the lamp and the hallway keys.
A hallway console with a soft touch.
Make this mine →Mirrors, lighting, ottomans and swings — the last layer of a finished room.
A teak jhula on cast brass chains, cushioned in mustard honeycomb velvet.
Make this mine →A bolster-back swing on brass chains, hung from a hidden steel rail — no beam needed.
Make this mine →A carved pooja stool with a quilted gold seat — low enough to sit and pray on properly.
Make this mine →Full rooms styled to work together — every piece made to order.
A whole lounge, built for the nights you actually remember.
Make this mine →Navy velvet, grey chairs and a gold-banded marble table — a whole living room in one order.
Make this mine →A green curved sofa, two tub chairs and a chevron bench — colour handled by someone who does it daily.
Make this mine →A champagne chesterfield with a cluster of round tables that split apart when guests arrive.
Make this mine →One bedroom, built as a set — bed, bench, wardrobes and stone wall all cut together.
Make this mine →The pieces we show when someone asks what we can do with it.

You will want to sink into this one. A soft velvet shell curves all the way around you, in a lavender you do not see every day. It rests on hand-finished pewter feet — small enough for a bedroom corner, striking enough for the living room. Want it in your own colour? That is how we start.
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Modern, bold, and made to be noticed. Deep chocolate velvet meets a soft beige stripe, with hand-textured silver arms wrapped in padded sleeves so nothing feels cold. It is a sculpture you can actually sit in — perfect for the corner you want people to ask about.
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For the corner that needs a little romance. Soft rose velvet wraps the back and arms, a deep burgundy floral covers the seat, and the whole chair turns on a brushed-brass ring. Pick your own fabric and colours — this one is just where we began. Yours can be anything you dream.
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Soft, round, and easy to love. A curved velvet tub in warm cream, with quilted sides and thin gold lines that catch the light as you pass. It sits happily next to almost anything you already own — the safe, beautiful choice that never looks plain.
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Soft, round and quietly pretty. A seamless velvet barrel wraps around you in a warm blush pink, with fine channel lines down the back and a slim brushed-gold base to lift it. Drop it in a bedroom corner or beside the sofa — and yes, it can be made in your colour instead.
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Old-world grandeur, made for today. A deep, generous seat in shimmering crushed velvet, framed by arms that are carved by hand and touched with gold. It is the chair that makes a room feel like a palace — and it is built in your fabric, to your size.
Make it mine →Plain answers, from the workshop floor.
Performance velvet is. It is a polyester or blended pile engineered to resist stains and rubbing, it now looks close to the natural fabrics, and it survives children and dogs. Cotton velvet is softer and marks more easily; silk velvet is beautiful and should stay on a bedroom chair.
Velvet has a pile that lies in a direction, so light hits it differently depending on where you stand — that shading is the effect, not a fault. What IS a fault is panels cut with the pile running different ways, which makes a sofa look genuinely two-tone. Every panel we cut runs the same way.
Bouclé is a looped yarn, so the surface is nubbly instead of smooth. It has no pile direction, it hides marks better than velvet, and it reads modern where velvet reads classical. On a large curved sofa it is usually the calmer of the two.
Yes. Send us the fabric or the name of it and we will tell you how many metres your piece needs before you buy. We will also tell you honestly if it is too light for the use you have in mind.
Yes, and it stays free — no end date, no minimum. We deliver your piece to your door anywhere in mainland India, crate, freight, transit cover, e-way bill and GST included. Andaman & Nicobar and Lakshadweep go by sea at actual cost; outside India is quoted per port.
No. There is no minimum, no remote-area fee and no fuel surcharge. One bedside table travels on the same free terms as a twelve-piece bedroom, to Mumbai or to Leh, and the crate is built around your finished piece.
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