Fluted Double-Pedestal Stone Dining Table
Stone top, brass edge band, fluted rectangular pedestal legsA long stone top balanced on two ribbed columns, ready for a full table of guests.
Make this mine →
Marble is the surface a room is judged by. We cut it from full slabs rather than buying pre-cut tops, which means the veining can be book-matched across a joint, the edge profile is yours to choose, and the size is your room's, not a factory's. Italian and Indian stone, honed or polished, on tables, consoles, vanities and floors.
65 pieces · Made to order · Free delivery across IndiaWhat it is, what it does well, what it does not, and how to look after it. Written by the people who cut it.
When a block of marble is sliced, two neighbouring slabs are near mirror images of each other. Open them like a book and the veins run out from the joint in both directions, so a wide top reads as one piece of stone instead of two.
It only works if you buy the block, keep the slabs together and cut them yourself. That is what our own factory is for. A top made from two unrelated off-the-shelf pieces will never do it.
Polished marble is glossy. It shows the colour at its deepest and it reflects the light in a room, which makes a dining table feel formal. It also shows every fingerprint and every etch mark.
Honed marble is matt. It is softer to look at, hides small marks, and is the safer choice for a kitchen island, a bathroom vanity or a home with children. We finish either way — you decide once you have seen both in your own light, which is why we send samples.
Italian stone — Statuario, Calacatta, Carrara — is white with grey or gold veining and is what most people picture. Indian stone is quarried closer, costs less to land, and includes greens, blacks and beiges that Italy does not have.
Neither is better. A room decides. We show you both, in the size you need, before you spend anything.
Marble is calcium. Anything acidic — lemon, vinegar, wine, tomato, most bathroom cleaners — will etch it, which is a dull mark rather than a stain. Wipe spills quickly, use coasters, and clean with warm water and a soft cloth.
We seal every top before delivery. Reseal it about once a year on a working surface, less on a table that is only laid for dinner.
Every one shown three ways — the piece alone, everything it is made of, and the same piece in a real room.
Tap any piece to zoom in on the detail, or filter by room to see where it fits.
Six seats or sixteen, in stone or solid wood, made to your room.
A long stone top balanced on two ribbed columns, ready for a full table of guests.
Make this mine →A full table set for six, with a marble top and a chandelier that looks like it grew there.
Make this mine →A slab of storm-grey marble on a soft cream column, dressed for your best dinners.
Make this mine →A table top the color of warm honey and gold.
Make this mine →See the whole room before you choose one piece.
Make this mine →Marble veined like clouds, set for two.
Make this mine →Cool marble on warm wood, set for real dinners.
Make this mine →A dining table with a slab of glowing stone at its heart.
Make this mine →Clean lines, warm stone, quiet luxury.
Make this mine →A dining set with the confidence to use real colour.
Make this mine →A dining table with the weight of a monument.
Make this mine →Blush velvet wingback chairs around a pale marble table — soft colour that still reads grown-up.
Make this mine →A brass line inlaid into marble, with deep green velvet chairs piped in cream.
Make this mine →Marble, onyx, agate and burl tops, each one hand-picked, sized to your sofa.
Three tables, one sculpture — cluster them like petals in front of your favourite chairs.
Make this mine →Two pebble-shaped marble tops, two heights, one easy set for any corner.
Make this mine →A dark veined marble table nests neatly with a pale onyx one, brass and gunmetal legs standing apart.
Make this mine →A two-tier marble coffee table on brass, framed by a pair of quilted taupe armchairs.
Make this mine →A rust marble and fluted brass nesting duo grounding a room full of soft shearling seating.
Make this mine →Two materials, one striking table.
Make this mine →A solid block of marble at the heart of the room.
Make this mine →Three tables that play together in the middle of the room.
Make this mine →Nightstands sized to your bed height, in matching or contrasting finish.
Two soft-close drawers wrapped in high-gloss grey lacquer, banded in gold.
Make this mine →Every facet catches the light, and every drawer opens smooth as silk.
Make this mine →Cool grey drawers, warm leather edges, one bold brass pull.
Make this mine →A bedside table that pairs a dark bronze frame with two deep drawers faced in real white marble.
Make this mine →A round bedside table stacking smoked glass, brass and white marble between two curved walnut posts.
Make this mine →Slim wall pieces that carry the television, the lamp and the hallway keys.
A grey marble slab speared by three antique-brass columns — a console built to stop people at the door.
Make this mine →A pale oak console with a black marble inset top and a base carved into soft organ-pipe slots.
Make this mine →A bedroom TV wall in book-matched marble, with the console floating clear of the floor.
Make this mine →Long storage for the dining wall — plates in, clutter out of sight.
Curved ends, fluted doors, a marble top that never repeats.
Make this mine →Croc-look doors, real marble top, quiet luxury all over.
Make this mine →Fluted champagne ends, a burl centre and a marble top — the sideboard a dining room is planned around.
Make this mine →Lit dressing tables and stone vanities, built to your height and space.
Quilted leather, hand fluting and a marble top on brass hairpins — with its own tufted stool.
Make this mine →A vanity carved deep enough to feel like furniture, not fittings.
Make this mine →A washstand that looks more like a fine chest.
Make this mine →Carved temples in marble and wood, sized for the wall or the room.
A South-Indian temple, brought home in solid teak.
Make this mine →A full-wall mandir in silver and gold, made to be prayed before for generations.
Make this mine →A carved dome, jaali panels and a marble platform — a mandir built the way temples are.
Make this mine →Executive and reception desks with cable runs and storage built in.
A cabin desk built to close deals, not just hold papers.
Make this mine →A marble top with the kind of veining you can't order twice.
Make this mine →A curved reception counter and the brass-inlaid marble wall behind it, built as one job.
Make this mine →Small tables and nesting sets that fill the gaps a big room leaves.
One table, and the room suddenly has a focal point.
Make this mine →A foliate scroll worked entirely in mother-of-pearl, on a table built to be noticed.
Make this mine →Lit showcases for the pieces you want seen, closed storage for the rest.
Handsome storage that finishes an empty wall.
Make this mine →A full display wall that shows off and stores away.
Make this mine →Full kitchens planned, built and fitted to your floor plan.
A working kitchen dressed like a living room.
Make this mine →A handleless cream kitchen that ends in a marble breakfast counter, not a dead corner.
Make this mine →Closed shoe storage for the entrance, counted to your pairs.
A cabinet that hides every shoe and still looks like the best piece in the hall.
Make this mine →A low shoe cabinet with two white marble doors set in a dark bronze frame.
Make this mine →One-off pieces from this room, each still made to your size and finish.
Six deep drawers under a slab of black marble.
Make this mine →A bar counter built to catch the last light of the day, stone-topped and stool-ready.
Make this mine →Full rooms styled to work together — every piece made to order.
See the full room — every piece styled to work together, not just sit together.
Make this mine →A whole lounge, built for the nights you actually remember.
Make this mine →Navy velvet, grey chairs and a gold-banded marble table — a whole living room in one order.
Make this mine →A champagne chesterfield with a cluster of round tables that split apart when guests arrive.
Make this mine →One bedroom, built as a set — bed, bench, wardrobes and stone wall all cut together.
Make this mine →The pieces we show when someone asks what we can do with it.

Dark, glossy and a little dramatic. A black precious-stone top with natural white veining rests on a curved gold pedestal that flows like an hourglass. Every top is one of a kind, because the stone decides the pattern — not us. That is what makes it truly yours.
Make it mine →Plain answers, from the workshop floor.
Two slabs cut from the same block and opened like a book, so their veining mirrors across the joint. Used on a wide table top or a console front, it makes the stone read as one continuous piece. It is only possible when the maker buys and cuts whole slabs, which is what we do.
Polished for depth of colour and reflected light, on a piece that is mostly looked at. Honed for a matt surface that hides small marks, on anything that gets daily use — a kitchen island, a bathroom vanity, a family dining table. We send samples of both so you can see them in your own light.
It etches more than it stains. Acids like lemon, vinegar and wine eat a dull patch into the polish. Sealing slows absorption and makes spills easy to wipe, but no sealer stops etching — the fix is a coaster and a quick wipe. We seal every top before it leaves the factory.
Usually, yes. Send a photograph of the existing stone in daylight and we look for a slab that sits with it. Where an exact match is not available we will say so rather than send you something close but wrong.
Yes, and it stays free — no end date, no minimum. We deliver your piece to your door anywhere in mainland India, crate, freight, transit cover, e-way bill and GST included. Andaman & Nicobar and Lakshadweep go by sea at actual cost; outside India is quoted per port.
No. There is no minimum, no remote-area fee and no fuel surcharge. One bedside table travels on the same free terms as a twelve-piece bedroom, to Mumbai or to Leh, and the crate is built around your finished piece.
Onyx & Semi-Precious Stone, Brass & Metal, Wood, Walnut & Burl, Velvet & Bouclé, Leather and Lacquer & High Gloss.