A true high-gloss finish is not a coat of paint. It is many thin coats, each one flattened back before the next goes on, and then polished until the surface reflects like glass. It takes days and a dust-free room, and it is the finish that separates a piece that looks lacquered from one that looks sprayed. We do it in our own booth.
95 pieces · Made to order · Free delivery across IndiaWhat it is, what it does well, what it does not, and how to look after it. Written by the people who cut it.
The panel is sealed, primed and flattened. Then colour goes on in thin coats, then clear lacquer over that, and between every coat the surface is cut back flat again. Only after the last coat is it polished, in stages, from a coarse compound to a fine one.
Skip the flattening and you get orange peel — a rippled surface that looks like the skin of the fruit. Skip the dust control and you get specks under the clear coat that cannot be removed without starting again.
Gloss bounces light around a room and makes a small space feel bigger. It also shows every fingerprint, every speck of dust and every scratch, and it reflects whatever is opposite it.
Matt lacquer — the same build, a different final coat — hides marks, feels soft under the hand and reads more modern. In a bedroom or a room with strong daylight, matt is usually the better choice, and most people pick it once they have seen both.
A thin, fast finish has nowhere to go when the panel underneath moves. It hazes, then it hairlines, then it yellows — usually within two or three years, and always first on the edges.
Build depth into the coats, cure it properly, and use a clear that is rated against ultraviolet light, and a gloss panel stays clear for many years. The difference is entirely in the time taken, which is why it shows up in the price and not in the photograph.
A soft microfibre cloth, slightly damp, and nothing else. No abrasive pad, no scouring cream, no spray polish — polish leaves a film that dulls the reflection and is hard to get off again.
Wipe in straight lines rather than circles. On a gloss panel, circular marks catch the light and show.
Every one shown three ways — the piece alone, everything it is made of, and the same piece in a real room.
Tap any piece to zoom in on the detail, or filter by room to see where it fits.
Long storage for the dining wall — plates in, clutter out of sight.
Black lacquer, a burl top and one drawer carved by hand — storage that behaves like a statement.
Make this mine →A gold sideboard cut into deep facets, so the whole front changes as you walk past it.
Make this mine →Storage that stands like sculpture, floor to counter.
Make this mine →Curved ends, fluted doors, a marble top that never repeats.
Make this mine →Storage that looks like jewellery on legs.
Make this mine →Burl wood in the middle, fluted panels on the sides, pure balance.
Make this mine →Croc-look doors, real marble top, quiet luxury all over.
Make this mine →Storage that shines like jewellery.
Make this mine →Warm wood on top, smart storage below.
Make this mine →Storage that works like art on the wall.
Make this mine →Fluted champagne ends, a burl centre and a marble top — the sideboard a dining room is planned around.
Make this mine →Soft beige lacquer, brass ring pulls and splayed legs — quiet, and quietly expensive.
Make this mine →Small tables and nesting sets that fill the gaps a big room leaves.
A honey onyx disc floating in a glossy cream bowl — sculpture first, table second.
Make this mine →A tiger's eye stone top, banded in blue and gold, set on a black fluted pedestal.
Make this mine →A pair of glossy black-and-gold tables that nest together.
Make this mine →A little table with a lot of texture.
Make this mine →Small tables that pull real weight in a room.
Make this mine →A side table shaped like a spinning top.
Make this mine →Two tables that tuck into one neat cube.
Make this mine →Amber onyx set into a polished walnut rim, on four turned legs with brass caps.
Make this mine →Slim wall pieces that carry the television, the lamp and the hallway keys.
A fluted gold console with a zigzag door line you feel before you see.
Make this mine →A hallway console with a soft touch.
Make this mine →A sculptural console that works from both sides.
Make this mine →A long, low TV unit — dark burl on top, ivory drawers below, metal wrapped around both ends.
Make this mine →Backlit onyx over croc-embossed drawers — the console that lights a hallway on its own.
Make this mine →A bedroom TV wall in book-matched marble, with the console floating clear of the floor.
Make this mine →A tiger's eye top on tall black legs — the slimmest console that still stops people at the door.
Make this mine →A half-moon console on a single gold arc — croc leather drawers, stone top, no straight lines.
Make this mine →Six seats or sixteen, in stone or solid wood, made to your room.
Eight chairs, eight stories, one long table.
Make this mine →Look closer — the fluting is carved, not printed.
Make this mine →See the whole room before you choose one piece.
Make this mine →A dining table with a slab of glowing stone at its heart.
Make this mine →A dining table that makes every meal feel like an occasion.
Make this mine →Clean lines, warm stone, quiet luxury.
Make this mine →Backlit green onyx on a stepped gold base — the table people photograph before they sit down.
Make this mine →Marble, onyx, agate and burl tops, each one hand-picked, sized to your sofa.
A coffee table with a secret in the middle — a warm wood tray waiting for your favourite things.
Make this mine →Two pebble-shaped marble tops, two heights, one easy set for any corner.
Make this mine →A big square table with a quiet, tailored centre.
Make this mine →One sweeping oval that anchors the whole sofa.
Make this mine →A centre table people reach out to touch.
Make this mine →Three tables that play together in the middle of the room.
Make this mine →Nightstands sized to your bed height, in matching or contrasting finish.
Two soft-close drawers wrapped in high-gloss grey lacquer, banded in gold.
Make this mine →A fluted ivory cabinet door banded in brass, standing on slim tapered legs.
Make this mine →Cool grey drawers, warm leather edges, one bold brass pull.
Make this mine →Open shelves top and bottom, one drawer with a brass clover pull in between.
Make this mine →Two fluted pedestals, two dark stone tops, styled as a pair.
Make this mine →A nightstand with a hand-carved face.
Make this mine →Executive and reception desks with cable runs and storage built in.
A cabin desk built to close deals, not just hold papers.
Make this mine →A marble top with the kind of veining you can't order twice.
Make this mine →A desk that says who runs the room.
Make this mine →The desk that tells everyone whose office this is.
Make this mine →A curved director's desk with no sharp corner anywhere — stone on top, brass at the floor.
Make this mine →Quilted leather ends, a mirror-polished burl front and brass rings at the floor.
Make this mine →Lit showcases for the pieces you want seen, closed storage for the rest.
Art you can actually store things in.
Make this mine →Handsome storage that finishes an empty wall.
Make this mine →A cabinet that spins in place, no motor required.
Make this mine →A cabinet built like a little piece of architecture.
Make this mine →Lit dressing tables and stone vanities, built to your height and space.
Mirror up, jewellery inside, stool tucked away.
Make this mine →Quilted leather, hand fluting and a marble top on brass hairpins — with its own tufted stool.
Make this mine →A slim tower of white and gold for the softest bathroom.
Make this mine →A powder room vanity that people stop and stare at.
Make this mine →Curved, tufted, channelled or carved — built to your exact length, in your fabric.
A sofa curved like a question mark, upholstered in a red you won't find twice.
Make this mine →A soft champagne sofa with a couture back.
Make this mine →A navy channel sectional and a two-tier fluted oval table, sized to a long living room wall.
Make this mine →Floor-to-ceiling wardrobes planned around your clothes and your wall.
Floor-to-ceiling wardrobes that never waste an inch.
Make this mine →A wardrobe that reads like a piece of art.
Make this mine →Deep drawers on a soft close, finished to match the bed.
A chest of drawers that behaves like a jewel.
Make this mine →A curved four-drawer chest in champagne lacquer, with a hand-carved medallion running down the middle.
Make this mine →One-off pieces from this room, each still made to your size and finish.
The chair that gives a room its colour.
Make this mine →One mandala carved into a single back panel — an ivory mandir with nothing else competing.
Make this mine →Ebony with brass lines inlaid down every door — a shoe cabinet nobody guesses is one.
Make this mine →A deep stepped rosewood frame on a moulded plinth — the floor mirror that stands on its own.
Make this mine →Mirrors, lighting, ottomans and swings — the last layer of a finished room.
A sculpted white lacquer stool and a soft cognac leather pouf, made to sit together or wander the room.
Make this mine →An oval shell swing on four slim cables — a two-seater that looks like it is floating.
Make this mine →Full rooms styled to work together — every piece made to order.
See the full room — every piece styled to work together, not just sit together.
Make this mine →A green curved sofa, two tub chairs and a chevron bench — colour handled by someone who does it daily.
Make this mine →The pieces we show when someone asks what we can do with it.
The centrepiece your whole living room will orbit. Real stone in black, smoky charcoal and gold is hand-laid piece by piece into a sunburst that seems to glow from inside, framed in brushed brass on a glossy black base. It comes as a pair — a big table and a little one that tucks under. No two tops are ever the same.
Make it mine →
Soft, round and calming to look at. A creamy selenite stone top on a smooth sculpted base — use one as a side table, or a pair together as a low centre table. The veining is natural, so yours will be yours alone, and it will never once feel like anyone else's.
Make it mine →Plain answers, from the workshop floor.
Furniture finished with many thin coats of lacquer, each one flattened back before the next, then polished in stages until the surface reflects like glass. It is a process measured in days and it needs a dust-free booth — which is why a real gloss finish and a quickly sprayed one look nothing alike a year later.
Gloss reflects light and makes a small room feel larger, but it shows fingerprints, dust and scratches, and it mirrors whatever is opposite it. Matt is the same build with a different final coat — it hides marks, feels soft to the touch and reads more modern. In a bedroom or a bright room, matt is usually better.
Too few coats, cured too fast, with no ultraviolet protection in the clear. The finish hazes, then hairlines, then yellows — usually within two or three years and always at the edges first. Depth of build and proper curing are the whole difference, and neither shows in a photograph.
Yes. Send a sample — a drawer front, an offcut, a paint chip — and we mix and spray to it, then send you a sprayed sample back to approve before the piece is finished.
Yes, and it stays free — no end date, no minimum. We deliver your piece to your door anywhere in mainland India, crate, freight, transit cover, e-way bill and GST included. Andaman & Nicobar and Lakshadweep go by sea at actual cost; outside India is quoted per port.
No. There is no minimum, no remote-area fee and no fuel surcharge. One bedside table travels on the same free terms as a twelve-piece bedroom, to Mumbai or to Leh, and the crate is built around your finished piece.
Onyx & Semi-Precious Stone, Marble, Brass & Metal, Wood, Walnut & Burl, Velvet & Bouclé and Leather.
